Comments on: Another Layer of layering knowledge and music….. http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/ A Music Education Blog Collective Thu, 20 Nov 2008 13:40:38 +0000 http://wordpress.org/?v=wordpress-mu-1.2.1 By: monaco gold casino http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-19313 monaco gold casino Mon, 10 Nov 2008 16:47:44 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-19313 Hi there, I must say that you have done a wonderful job on your site and I thoroughly enjoyed my stay here, I thank you for sharing it with me… Hi there, I must say that you have done a wonderful job on your site and I thoroughly enjoyed my stay here, I thank you for sharing it with me…

]]> By: directory http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-19236 directory Wed, 29 Oct 2008 21:12:55 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-19236 Greetings Very good web site. I loved it. Found invaluable information. Just what I was looking for :-) Greetings Very good web site. I loved it. Found invaluable information. Just what I was looking for :-)

]]> By: kim http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-17480 kim Tue, 24 Jun 2008 11:38:12 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-17480 who is claude debussy? who is claude debussy?

]]> By: kim http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-17479 kim Tue, 24 Jun 2008 11:37:30 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-17479 what is layering and multimetrics in music? what is layering and multimetrics in music?

]]> By: kim http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-17478 kim Tue, 24 Jun 2008 11:36:44 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-17478 i need to know the importance of layering in music and the multimetrics in music i need to know the importance of layering in music and the multimetrics in music

]]> By: emanuel wendell http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-1518 emanuel wendell Thu, 18 Jan 2007 20:21:18 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-1518 I need a video-teach of cello I need a video-teach of cello

]]> By: Alex Ruthmann http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-280 Alex Ruthmann Sun, 11 Jun 2006 20:29:02 +0000 http://collective.musiced.net/2006/05/26/another-layer-of-layering-knowledge-and-music/#comment-280 I've done a similar project with my students, having them listen to cellist Gideon Freudmann's "Fish Food" as an exemplar for composing with loop software. He recording this piece using a loop-pedal and software: Here is an excerpt from an email between Gideon and I about his piece: <blockquote cite="Gideon Freudmann">I recorded Fish Food with my electric cello and a Lexicon JamMan - a nice rack-mounted looper that has not been on the market for several years. Lately I have been using a foot peddle looper - the Boss Loop Station (RC-20). It's not stereo, but very easy to use and has some other nice features. Fish Food is from my CD, Hologram Crackers which is an entire album of loop based electric cello instrumental tunes (all original. It's available, along with my other CDs at http://www.cellobop.com. Fish Food is an unusual tune in that the "verse" has three measures in 7 and one in 6. The tune was recorded mostly in one pass with the looper - playing the the strum phrase first and then building the layers of the loop on top of it. Once it was all there I improvised some leads over the top - again, all in the one pass. When I mixed it down, I started the piece at a point where the loop with all the layers were established (as opposed to some other tunes where left in each layer as they get added) and at the very end I overdubbed a few of the weird atonal sounds. The big chord that begins and ends the tune came from another tune and those were the last sounds to be added.</blockquote> He also commented that the influence for the "atonal" sections of this short work were from Jimi Hendrix' "If 6 was 9." If you have a chance to listen to it, it's a cool piece. It is also included in the CDs for Silver Burdett/Scott Foresman's 2nd grade music textbook series "Making Music." I’ve done a similar project with my students, having them listen to cellist Gideon Freudmann’s “Fish Food” as an exemplar for composing with loop software. He recording this piece using a loop-pedal and software: Here is an excerpt from an email between Gideon and I about his piece:

I recorded Fish Food with my electric cello and a Lexicon JamMan - a nice rack-mounted looper that has not been on the market for several years. Lately I have been using a foot peddle looper - the Boss Loop Station (RC-20). It’s not stereo, but very easy to use and has some other nice features.

Fish Food is from my CD, Hologram Crackers which is an entire album of loop based electric cello instrumental tunes (all original. It’s available, along with my other CDs at http://www.cellobop.com. Fish Food is an unusual tune in that the “verse” has three measures in 7 and one in 6.

The tune was recorded mostly in one pass with the looper - playing the the strum phrase first and then building the layers of the loop on top of it. Once it was all there I improvised some leads over the top - again, all in the one pass. When I mixed it down, I started the piece at a point where the loop with all the layers were established (as opposed to some other tunes where left in each layer as they get added) and at the very end I overdubbed a few of the weird atonal sounds. The big chord that begins and ends the tune came from another tune and those were the last sounds to be added.

He also commented that the influence for the “atonal” sections of this short work were from Jimi Hendrix’ “If 6 was 9.” If you have a chance to listen to it, it’s a cool piece. It is also included in the CDs for Silver Burdett/Scott Foresman’s 2nd grade music textbook series “Making Music.”

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